ARTISTIC, HISTORICAL AND CULTURAL HERITAGE
Social contribution and cultural development
Iberdrola materialises its commitment to culture mainly through patronage, support for new forms of artistic expression and restoration of cultural heritage. The company undertakes this commitment in a sustainable way, by supporting initiatives and programmes oriented to conserving and promoting heritage, and through actions to foster and contribute to the dissemination of the creative force of contemporary culture.
Iberdrola's support for culture, art and society takes the form of restoration and lighting projects in historical buildings, exhibitions arranged in collaboration with various centres, and its art collection. To this end, the Iberdrola-Arte digital space has been created to share, disseminate and provide access to the Group's collection, and offers information on all the company's most outstanding projects in this area.
Iberdrola's vast experience in corporate collecting is at the service of society, by means of lending the works in its collection to museums and exhibitions. It has been recognised with an award from the ARCO Foundation for its careful selection of artists and works, and for its installation in a corporate environment where it can be accessed by both employees and visitors. The ARCO Foundation highlights the work of patronage carried out by Iberdrola as a socially responsible and sustainable company. To see the collection and find out more about exhibitions and events, go to Iberdrola-Arte, or download the free app for iPad at the App Store for iOS (iPad).
As part of the activities from 11 to 14 October that will commemorate the 20 years of existence of the Guggenheim Museum, the emblematic Frank Gehry building will become the canvas for an impressive artistic interpretation during 11 and 14 October, thanks to Reflections, a free large-scale video mapping performance, open to the public with the collaboration of Iberdrola.
Video mapping in the Museum of Contemporary Art in Bilbao.
The 20-minute animation with an original soundtrack will use state-of-the-art technology to run through two decades of history and creativity in Bilbao. The films projected on the building will make this flagship titanium structure full of light, texture and movement.
Video mapping in the Museum of Contemporary Art in Bilbao.
Displayed on the 25th floor of the corporate headquarters, the Memory Regained exhibition offers its audience some insight into the little known contribution made by the Spanish royal family to the creation of the United States of America.
Last May 5, HRM King Felipe visited the exhibition located in Iberdrola Tower accompanied by Unai Rementería, Deputy General of Biscay; Javier de Andrés, Government Representative in the Basque Country; Juan María Aburto, Mayor of Bilbao; Ana Otadui, President of the General Assembly of Biscay and the Chairman of Iberdrola, Ignacio Galán.
Open until next 2 of July, it features a selection of over 200 pieces of artwork, documents, maps, costumes, miniatures and reproductions, and pays special attention to the contribution of the Basque to exploration, navigation and trade, as well as to Basques immigrating to North America, from the start of Hispanic presence in the continent to the 20th Century.
Alfonso Fernández Mañueco, mayor of Salamanca, and Ignacio Galán, Chairman of Iberdrola, have inaugurated the second edition of the Light and Avant-Garde Arts festival, a festival filled with light and colour that will illuminate Salamanca between 15 and 18 June.
2017 Light and Avant-Garde Arts Festival.
Ignacio Galán highlighted during the opening ceremony that a company like Iberdrola, connected to Salamanca for over a century and with a commitment to its development and to the wellbeing of its citizens "supports this form of art with great pride. This commitment is not only associated with our delivery of an essential service, such as energy, but also with our strong involvement with the region, with the creation of jobs and wealth, and with actions aimed at promoting art and culture, such as this festival".
After the success of the first edition, the Festival now features four different sections: the exhibition of the work of national and international artists; the international contest for companies, groups and independent artists; the section for young artists, with the work of the students of two universities of Salamanca —they'll have the chance to showcase their creations in front of the thousands of spectators attending the event—, and the +Light section, which will focus on different artistic spaces of the city in parallel to these other three sections. All of them will engage the most emblematic buildings in Salamanca, with streets and spaces full of history that are part of the World Heritage Site.
French artists Studio Echelon Mapping have received an award from the hands of the mayor of Salamanca for their work Prism, given by the jury in the second edition of the international contest of the festival celebrated in Tormes.
'Prism', winner of the international contest of the Light and Avant-Garde Arts Festival.
The €15,000 prize has been given by a jury of art, image and communication experts, who have chosen the best proposal out of nine pieces, submitted from five different countries, and which are being projected every night on the façade of the City Hall.
Poster of the 2nd edition of the festival.
Since 24 March and until 2 April, the audiovisual composition Elevated Projection by the artist Edwin van der Heide (Hilversum, 1970), transformed the Azkuna Zentroa Atrium of Cultures (in Bilbao) each evening.
'Elevated Projection'. Video voice transcription (Spanish version) [PDF]
In Elevated Projection, light plays with the architecture of space whilst creating new structures and experiences within it. Multiple lasers and a thin layer of smoke will create shapes and make light tangible, producing a changing and three-dimensional environment which the public can penetrate. This work of art is part of LSP (Laser Sound Performance), a series of pieces in which Edwin van der Heide explores the relationship between sound and three-dimensional image by means of laser projections onto smoke. The artist creates complex relationships between light and sound within a space. The work thus has bodily, almost tangible, qualities, evolving before the eyes of the spectator, who is immersed in constantly changing surroundings.
Iberdrola is thus once again showing its commitment to spreading culture and art, and particularly ground-breaking art, as it also did, for example, by supporting the Salamanca Festival de Luz y Vanguardias (Festival of Light and the Avant-Garde), the first edition of which in 2016 also featured a piece by the Dutch artist.
Iberdrola has participated in the renewal of the ornamental lighting system of the Church of the Monastery of Santa María de El Paular by means of installing lights equipped with LED technology, with the purpose of contributing to the enhancement of the historical-artistic heritage.
A new lighting system controlled with computers or via smartphones has been installed inside the church, which manages lights individually and allows variations and projections in different scenes. Its 28 fully-adjustable projectors achieve energy savings of over 74% when compared with the previous lighting systems that were used.
Therefore, the new installation highlights the most valuable piece of the monuments: the magnificent colour alabaster altarpiece, carved in the Royal Monastery by the artists of Juan Guás School at the dawn of the fifteenth century.
New lighting of the altarpiece of the Monastery of Santa María de El Paular.
Video voice transcription (Spanish version) [PDF]
AREAS OF ACTION
'FRANCIS BACON: FROM PICASSO TO VELÁZQUEZ'
The noteworthy patronage work of the company is materialised in a very special way with its permanent collaboration with the Guggenheim Museum of Bilbao, of which it has been its sponsor since it was opened. According to such a commitment, from 30 September to 8 January, 2017, Iberdrola sponsored the exhibition Francis Bacon: from Picasso to Velázquez.
Ignacio Galán, Chairman of Iberdrola; Lucia Aguirre, Commissioner of the exhibition; Ignacio Videarte, Director of the Museum.
A valuable selection of almost 80 of the most important works of the British artist, as well as other less-known works and works of different classical masters that had an impact in this career.
The exhibition delved into the impact of the Spanish and French cultures in Bacon's work, a fervent Francophile and expert in the art of the Spanish classical masters, such as Velázquez, Zurbarán, El Greco or Goya.
"It is a huge satisfaction for Iberdrola to have made this magnificent retrospective possible, which goes through over six decades of work of one of the most important artists of the twentieth century", stated Ignacio Galán, chairman of Iberdrola, after the inauguration of the exhibition.
In addition, with the goal of making art accessible to everyone, the Company sponsored the first open door days of the Guggenheim. This is the first time a private entity has allowed visitors to enter for free, encouraging everyone to visit the museum in Bilbao.
Three Studies for a Crucifixion, March 1962.
Oil with sand on canvas, three panels.
198.1 x 144.8 cm each.
Solomon R. Guggenheim Museum, New York, 64.1700.
© The Estate of Francis Bacon. All rights reserved. DACS/VEGAP. Bilbao, 2015.
'SOROLLA IN PARIS'
Iberdrola also sponsored the temporary exhibition Sorolla in Paris, exhibited in the Sorolla Museum of Madrid from the 23rd of November to the 19th of March 2017. During the time it was opened it achieved to beat the record of visitors of the Gallery with a total of 116,510 attendees.
After being exhibited in the Kunsthalle Museum of Munich and the Musée des Impressionnismes of Giverny, the exhibition landed in Madrid, organised by the Ministry of Education, Culture and Sports and the Fundación Museo Sorolla.
Sorolla in Paris brought 66 paintings selected by the painter to be exhibited in the main international exhibitions. A portray of the international recognition of the artist of Valencia since his first trip to Paris in 1885, until his success in the most important collective exhibitions and his recognition as a painter of the aristocracy of his time.
'Sorolla in Paris' exhibition. Video voice transcription (Spanish version) [PDF]
In its commitment to culture and avant-garde art, Iberdrola also supports several major events and donates important works of art.
An example was the donation by the company of the painting Por España y por el Rey, Gálvez en Pensacola to the Spanish Military Culture and History Institute. This work will be on permanent display at the Army Museum in the recently opened room dedicated to General Bernardo de Gálvez in the Alcázar de Toledo.
Furthermore, the Company is a special sponsor of San Sebastián 2016, European Capital of Culture, as a further testament to its belief in the possibility of a better world through knowledge and multicultural dialogue, and the care and maintenance of our cultural richness and diversity. By supporting this event, the company also aims to highlight the interaction between culture, the environment and sustainability.
Another milestone in Iberdrola's commitment to cultural patronage and institutional collaboration is the agreement signed to create a digital version of the forthcoming edition of the Dictionary of the Spanish language, particularly significant in the year commemorating the fourth centenary of the death of Miguel de Cervantes.
Iberdrola, as the Benefactor of the Prado Museum Restoration Workshop, has once again organised the annual restoration research grants, a programme that started in 2011. One of the main roles of the Prado Museum is to guarantee the protection and preservation of the Spanish Historical Heritage for which it is responsible. A large part of this work falls to the Museum's Restoration Area, made up of 31 specialists from various interdisciplinary departments whose joint efforts enable preventive conservation, study and analysis and, when necessary, restoration of the works of art.
The purpose of these grants is to complete the training of future specialists and promote research in the restoration field.
Prado Museum Restoration Workshop. Video voice transcription (Spanish version) [PDF]
The company, with the collaboration of the Bilbao Fine Arts Museum, has recently restored the Meeting place IV (1973-1974) monumental sculpture of Basque artist Eduardo Chillida, exhibited inside the building and welcoming all visitors.
Chillida's installation at the Bilbao Fine Arts Museum.
These activities are part of the Iberdrola-Museum programme, which addresses different preservation and restoration techniques used on the museum's artistic heritage every year.
Iberdrola is a benefactor of the Prado Museum Restoration Programme too and, as such, has restored the monumental bronze head of Demetrius I, Macedonian military leader, and finally king of Macedon, an exceptional piece due to its dimensions and quality, which is now exhibited for the first time after its restoration.
The bronze head will be exhibited as an outstanding piece of art between 12 June and 17 September at the lower Goya roundabout of the Villanueva building.
Demetrius Poliorcetes, dated circa 307 AC, after restoration.
The restoration process has required the elimination of resin, adhesives, protective and polishing materials from old interventions on the bronze surface, as well as the relocation of some fragments to their original place and the design of new punctual and reversible fixing systems.
Recently, and also at Prado Museum, the Company collaborated on the restoration of the portrait of Philip III by Velázquez which was donated by William B. Jordan to American Friends of the Prado Museum before being transferred to the Prado. This latest donation will help complete the study into the royal portraits by Velázquez as it will help researchers understand another of the painter's masterpieces which dates back to the start of his time as court painter, The Expulsion of the Moriscos.
'Portrait of Philip III' by Velázquez (second on the right) in the Prado anteroom of the central
gallery. Video voice transcription (Spanish version) [PDF]
The restoration, which began in January 2016 and concluded in May 2017, was extremely complicated given the painting's size and the condition it was in.
Iberdrola has also partnered with the Museum to create its upcoming 2017 Academic Chair: The Painting Restoration Workshop at the Prado Museum: Tradition and Innovation, which, as its name indicates, will be dedicated to restoration and various aspects related to caring for masterpieces.
The conferences hosted by restorers from the workshop will provide an approach to this highly specialised discipline, whose activity is backed by a partnership with Iberdrola as member benefactor of the Restoration Programme, and address a wide variety of topics concerning the treatment of masterpieces from maestros such as Tiziano and Goya; and collections facing different sorts of problems.
You can sign up with the online form at the Museum's website between June 1st and September 25th. Moreover, 20 scholarships will be conferred to professionals who are no older than 35 years of age with a postgraduate degree related to the content of the course.
Restoration of a painting in the Prado Museum Restoration Workshop.
Without leaving the Gallery, it also celebrates the third anniversary of the birth of Carlos III with the opening of a special facility at the Villanueva building: Carlos III, hunter by Francisco de Goya. Relationships and differences. The recent restauration of the Portrait of Carlos III, hunter by Goya, a work that is part of the Museum's Restauration programme sponsored by Fundación Iberdrola Spain, reveals a painting of extraordinary quality whose technique powerfully depicts the portrayed character and demonstrates that it was painted independently, thus changing today's idea that it followed the model coined by Antón Rafael Mengs in his painting of circa 1765. The possibility of making a comparison between the two originals is accessible to the public for the first time at this facility.
Carlos III, hunter, Francisco de Goya, oil on canvas, 207 x 126 cm, circa 1786, Madrid, Prado Museum.
Iberdrola also sponsors the Conservation and Restoration programme of the Museum of Fine Arts of Bilbao offering grants for the study and treatment of a series of works in its permanent collection, as well as a training scholarship in the Conservation and Restoration department.
Throughout 2016, Iberdrola's Conservation and Restoration programme has worked on the following pieces: Burlesque feast (c. 1550), of the Dutch master Jan Mandijn; The meal (c. 1921-1922), by Alberto Arrúe; two paintings, —No title (c. 1972) and No title [Poxpolinak (Arias Navarro)] (c. 1978)—, by Vicente Ameztoy and, finally, the copper sheet of Saint Peter Nolasco (c. 1739), by Antonio González Ruiz and its corresponding reproduction print, dated the same year, by Juan Bernabé Palomino. Likewise, the section with works on paper has continued with the work that started two years ago, restoring 12 drawings of the end of the XIX century of the artist of Bilbao, Roberto Laplaza.
ANTONIO GONZÁLEZ RUIZ
(Navarre, 1711-Madrid, 1788)
Saint Peter Nolasco, c. 1739
Oil on copper. 42.5 x 30 cm
Legacy of don Laureano Jado in 1927
Additionally, Iberdrola has inaugurated an exhibition on the restoration of the tapestries from the College of the Patriarch, a number of large-format hangings dating from the early 16th century that were donated by Juan de Ribera to the Royal College of Corpus Christi in Valencia. The exhibition will run until 13 January next. The Patriarch's tapestries belong to a golden age in tapestry-making. They have been dated as being from between 1500 and 1530, a period when the production of Flemish tapestries reached its greatest splendour. The collection consists of three tapestries from the Moralities series, two from the Parable of the Vineyard series and another one titled Scenes from the Life of Solomon.
Those in attendance at the inauguration event included the President of the Generalitat of Valencia, Ximo Puig; the Chairman of the Fundación Iberdrola España, Manuel Marín; the Dean of the Royal Seminary College of Corpus Christi, Mariano Ruiz; and the General Administrator of the Royal Tapestry Factory, Alejandro Klecker.
The Atlantic Romanesque Restoration Plan is an ambitious restoration and maintenance project of 24 Romanesque temples in Salamanca, Zamora and Portugal carried out by Iberdrola in collaboration with the Portuguese Ministry of Culture and the Regional Government of Castile-Leon. The impact of the plan goes above and beyond the scope of the restoration to become a genuine driving force for social regeneration. The company undertakes other actions for the recovery and conservation of historic and artistic heritage through the Fundación Iberdrola España.
Iberdrola actively collaborates in the edition of different prestigious works:
- Monograph Jesús Mari Lazkano: his pictorial imaginary has been brought together in a book published with the collaboration between Iberdrola and San Sebastián 2016. An invitation to travel and delve into the artist paintings (born in Bergara, in 1960) during his over three decades of work.
Presentation of the book of Jesús Mari Lazkano.
- México: Ensayo de un mito (2016) [PDF]
- Figured, figurations, figurants. To be or (perchance) to dream (2015) [PDF]
- Entre chien et loup, works from the Meana Larrucea Collection (2011) [PDF]
- Edwin van der Heide transforms the atrium of Azkuna Zentroa with 'Elevated Projection', an installation of light and sound, thanks to Iberdrola's support
- Iberdrola donates painting titled 'For Spain and for the King, Gálvez in Pensacola' to the Spanish Army Museum in Toledo
- Iberdrola officially inaugurates the new lighting installations of the City Council of Donostia / San Sebastián
- Iberdrola presents 'Francis Bacon: from Picasso to Velázquez' in Bilbao's Guggenheim Museum
- Iberdrola, special sponsor of San Sebastián 2016 (Spanish version)
- Iberdrola hace posible el Festival de Luz y Vanguardias de Salamanca (Spanish version)
- Fundación pro-RAE and Iberdrola enter into agreement to build the digital base for the next edition of the Dictionary of the Spanish Language (Spanish version)